Sowlea

Dmaj7 chord on guitar: fingering and notes

Dmaj7 is a major seventh chord made of D, F♯, A and C♯. This shape uses 4 strings, with the index finger flat across strings 3–1 at fret 2 (a small barre).

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Read the diagram as if the guitar stands in front of you: thickest string on the left, the nut at the top. Numbers are fingers (1 index … 4 little), ○ means play the string open, × means don’t play it.

Where each finger goes

  1. Lay your index finger flat across strings 3–1 at fret 2, close to the fret wire.
  2. Let string 4 (D) ring open.
  3. Don’t play string 6 (low E) and string 5 (A): start your strum on string 4 (D).

Notes in the chord

Formula: 1 – 3 – 5 – 7

StringFretNoteInterval
string 4 (D)openDroot
string 3 (G)2Aperfect fifth
string 2 (B)2C♯major seventh
string 1 (high E)2F♯major third

Check that every string rings

  1. Pick the strings one at a time from string 4 (D) to string 1. Every note should ring for about a second without buzzing or going dull.
  2. A dull or muted note usually means a fingertip is leaning on the next string: arch the finger so only the tip touches.
  3. A buzzing note usually means the finger is too far from the fret wire: slide it closer without pressing harder.
  4. For the barre, roll the index finger slightly onto its bony side and keep the thumb behind the neck; press only as hard as needed for the barred strings to ring.
  5. Strings you don’t play should stay silent: aim the strum, or touch them lightly with a free finger.

Practise: change between Dmaj7 and Amaj7

  1. Set the metronome to 60 BPM in 4/4 (the button below applies these settings).
  2. Strum Dmaj7 once on beat 1 and let it ring through beats 2, 3 and 4.
  3. During beat 4, lift your fingers and move to Amaj7 so it sounds exactly on the next beat 1.
  4. Keep alternating Dmaj7 and Amaj7 for eight bars. When three changes in a row land on the beat with every string ringing, raise the tempo by 5 BPM.

What to listen for: the new chord starts on the click of beat 1, not after it, and no string goes silent during the change.

Practise at 60 BPM

Where this chord is used

  • In D major it is the Imaj7 chord.
  • In A major it is the IVmaj7 chord.
  • In B minor it is the IIImaj7 chord.
  • In F♯ minor it is the VImaj7 chord.

Further reading

Fingerings and explanations by Sowlea. Each shape is checked automatically: the notes it sounds in standard tuning must be exactly the notes of the chord.