A chord on guitar: fingering and notes
A is a major chord made of A, C♯ and E. This shape uses 5 strings in open position.
Where each finger goes
- Index finger on string 4 (D), fret 2.
- Middle finger on string 3 (G), fret 2.
- Ring finger on string 2 (B), fret 2.
- Let string 5 (A) and string 1 (high E) ring open.
- Don’t play string 6 (low E): start your strum on string 5 (A).
Notes in the chord
Formula: 1 – 3 – 5
| String | Fret | Note | Interval |
|---|---|---|---|
| string 5 (A) | open | A | root |
| string 4 (D) | 2 | E | perfect fifth |
| string 3 (G) | 2 | A | root |
| string 2 (B) | 2 | C♯ | major third |
| string 1 (high E) | open | E | perfect fifth |
Check that every string rings
- Pick the strings one at a time from string 5 (A) to string 1. Every note should ring for about a second without buzzing or going dull.
- A dull or muted note usually means a fingertip is leaning on the next string: arch the finger so only the tip touches.
- A buzzing note usually means the finger is too far from the fret wire: slide it closer without pressing harder.
- Strings you don’t play should stay silent: aim the strum, or touch them lightly with a free finger.
Practise: change between A and D
- Set the metronome to 60 BPM in 4/4 (the button below applies these settings).
- Strum A once on beat 1 and let it ring through beats 2, 3 and 4.
- During beat 4, lift your fingers and move to D so it sounds exactly on the next beat 1.
- Keep alternating A and D for eight bars. When three changes in a row land on the beat with every string ringing, raise the tempo by 5 BPM.
What to listen for: the new chord starts on the click of beat 1, not after it, and no string goes silent during the change.
Where this chord is used
- In D major it is the V chord.
- In A major it is the I chord.
- In E major it is the IV chord.
- In B minor it is the VII chord.
- In F♯ minor it is the III chord.
- In C♯ minor it is the VI chord.
- In D minor it is the V chord.
Further reading
Fingerings and explanations by Sowlea. Each shape is checked automatically: the notes it sounds in standard tuning must be exactly the notes of the chord.