Sowlea

D7 chord on guitar: fingering and notes

D7 is a dominant seventh chord made of D, F♯, A and C. This shape uses 4 strings in open position.

××213EADGBE
Read the diagram as if the guitar stands in front of you: thickest string on the left, the nut at the top. Numbers are fingers (1 index … 4 little), ○ means play the string open, × means don’t play it.

Where each finger goes

  1. Middle finger on string 3 (G), fret 2.
  2. Index finger on string 2 (B), fret 1.
  3. Ring finger on string 1 (high E), fret 2.
  4. Let string 4 (D) ring open.
  5. Don’t play string 6 (low E) and string 5 (A): start your strum on string 4 (D).

Notes in the chord

Formula: 1 – 3 – 5 – ♭7

StringFretNoteInterval
string 4 (D)openDroot
string 3 (G)2Aperfect fifth
string 2 (B)1Cminor seventh
string 1 (high E)2F♯major third

Check that every string rings

  1. Pick the strings one at a time from string 4 (D) to string 1. Every note should ring for about a second without buzzing or going dull.
  2. A dull or muted note usually means a fingertip is leaning on the next string: arch the finger so only the tip touches.
  3. A buzzing note usually means the finger is too far from the fret wire: slide it closer without pressing harder.
  4. Strings you don’t play should stay silent: aim the strum, or touch them lightly with a free finger.

Practise: change between D7 and G

  1. Set the metronome to 60 BPM in 4/4 (the button below applies these settings).
  2. Strum D7 once on beat 1 and let it ring through beats 2, 3 and 4.
  3. During beat 4, lift your fingers and move to G so it sounds exactly on the next beat 1.
  4. Keep alternating D7 and G for eight bars. When three changes in a row land on the beat with every string ringing, raise the tempo by 5 BPM.

What to listen for: the new chord starts on the click of beat 1, not after it, and no string goes silent during the change.

Practise at 60 BPM

Where this chord is used

  • In G major it is the V7 chord.
  • In G minor it is the V7 chord.

Further reading

Fingerings and explanations by Sowlea. Each shape is checked automatically: the notes it sounds in standard tuning must be exactly the notes of the chord.