F♯m chord on guitar: fingering and notes
F♯m is a minor chord made of F♯, A and C♯. This shape uses 6 strings, with the index finger barring fret 2.
Where each finger goes
- Lay your index finger flat across strings 6–1 at fret 2, close to the fret wire.
- Ring finger on string 5 (A), fret 4.
- Little finger on string 4 (D), fret 4.
Notes in the chord
Formula: 1 – ♭3 – 5
| String | Fret | Note | Interval |
|---|---|---|---|
| string 6 (low E) | 2 | F♯ | root |
| string 5 (A) | 4 | C♯ | perfect fifth |
| string 4 (D) | 4 | F♯ | root |
| string 3 (G) | 2 | A | minor third |
| string 2 (B) | 2 | C♯ | perfect fifth |
| string 1 (high E) | 2 | F♯ | root |
Check that every string rings
- Pick the strings one at a time from string 6 (low E) to string 1. Every note should ring for about a second without buzzing or going dull.
- A dull or muted note usually means a fingertip is leaning on the next string: arch the finger so only the tip touches.
- A buzzing note usually means the finger is too far from the fret wire: slide it closer without pressing harder.
- For the barre, roll the index finger slightly onto its bony side and keep the thumb behind the neck; press only as hard as needed for the barred strings to ring.
Practise: change between F♯m and D
- Set the metronome to 60 BPM in 4/4 (the button below applies these settings).
- Strum F♯m once on beat 1 and let it ring through beats 2, 3 and 4.
- During beat 4, lift your fingers and move to D so it sounds exactly on the next beat 1.
- Keep alternating F♯m and D for eight bars. When three changes in a row land on the beat with every string ringing, raise the tempo by 5 BPM.
What to listen for: the new chord starts on the click of beat 1, not after it, and no string goes silent during the change.
Where this chord is used
- In D major it is the iii chord.
- In A major it is the vi chord.
- In E major it is the ii chord.
- In B minor it is the v chord.
- In F♯ minor it is the i chord.
- In C♯ minor it is the iv chord.
Further reading
Fingerings and explanations by Sowlea. Each shape is checked automatically: the notes it sounds in standard tuning must be exactly the notes of the chord.