Sowlea

Em chord on guitar: fingering and notes

Em is a minor chord made of E, G and B. This shape uses 6 strings in open position.

23EADGBE
Read the diagram as if the guitar stands in front of you: thickest string on the left, the nut at the top. Numbers are fingers (1 index … 4 little), ○ means play the string open, × means don’t play it.

Where each finger goes

  1. Middle finger on string 5 (A), fret 2.
  2. Ring finger on string 4 (D), fret 2.
  3. Let string 6 (low E), string 3 (G), string 2 (B) and string 1 (high E) ring open.

Notes in the chord

Formula: 1 – ♭3 – 5

StringFretNoteInterval
string 6 (low E)openEroot
string 5 (A)2Bperfect fifth
string 4 (D)2Eroot
string 3 (G)openGminor third
string 2 (B)openBperfect fifth
string 1 (high E)openEroot

Check that every string rings

  1. Pick the strings one at a time from string 6 (low E) to string 1. Every note should ring for about a second without buzzing or going dull.
  2. A dull or muted note usually means a fingertip is leaning on the next string: arch the finger so only the tip touches.
  3. A buzzing note usually means the finger is too far from the fret wire: slide it closer without pressing harder.

Practise: change between Em and C

  1. Set the metronome to 60 BPM in 4/4 (the button below applies these settings).
  2. Strum Em once on beat 1 and let it ring through beats 2, 3 and 4.
  3. During beat 4, lift your fingers and move to C so it sounds exactly on the next beat 1.
  4. Keep alternating Em and C for eight bars. When three changes in a row land on the beat with every string ringing, raise the tempo by 5 BPM.

What to listen for: the new chord starts on the click of beat 1, not after it, and no string goes silent during the change.

Practise at 60 BPM

Where this chord is used

  • In C major it is the iii chord.
  • In G major it is the vi chord.
  • In D major it is the ii chord.
  • In A minor it is the v chord.
  • In E minor it is the i chord.
  • In B minor it is the iv chord.

Further reading

Fingerings and explanations by Sowlea. Each shape is checked automatically: the notes it sounds in standard tuning must be exactly the notes of the chord.